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This book examines the relationship between art and tourism through
the study of the material culture of tourism: tourist art and
souvenirs. It thoroughly examines how to categorise the material
culture of tourism within the discourses of contemporary art and
cultural anthropology, and demonstrates that tourist art is a
unique expression of place and genuine artistic style. The first
investigation to consider the activity of souvenirs from both
indigenous and settler tourist sites, it brings a unique addition
to the existing, dated, research in the area. Working initially
from Graburn's definition of tourist art, as the art of one culture
made specifically for the consumption of another, Tourism Art and
Souvenirs sheds light on important aspects of the souvenir that
have not been widely discussed. The most recent research is used to
consider how the souvenir is designed and consumed, consumer
expectations and influence on the character of the souvenir, how
the souvenir maker is consumed by the tradition of heritage and how
products become successful as souvenirs. The title also
investigates the language involved in the representation of place
and the recording of experience through the souvenir, developing a
method that expresses the descriptive data of individual souvenir
artefacts graphically so the patterns of language may be analysed.
Enhancing the understanding of material culture in tourism and
therefore adding to future tourism development this volume will be
of interest to upper level students, researchers and academics in
tourism, culture, heritage and sustainability.
With an introduction by Charlotte R. Brown and William Edward
Morris. David Hume (1711-1776) was the most important philosopher
ever to write in English, as well as a master stylist. This volume
contains his major philosophical works. A Treatise of Human Nature
(1739-1740), published while Hume was still in his twenties,
consists of three books on the understanding, the passions, and
morals. It applies the experimental method of reasoning to human
nature in a revolution that was intended to make Hume the Newton of
the moral sciences. Disappointed with the Treatise's failure to
bring about such a revolution, Hume later recast Book I as An
Enquiry concerning Human Understanding (1751), and Book III as An
Enquiry concerning the Principles of Morals, which he regarded as
'incomparably the best' of all his works. Both Enquiries went
through several editions in his lifetime. Hume's works,
controversial in his day, remain deeply and widely influential in
ours, especially for his contributions to our understanding of the
nature of morality, political and economic theory, philosophy of
religion, and philosophical naturalism. This volume also includes
Hume's anonymous Abstract of Books I and II of the Treatise, and
the short autobiographical essay, 'My Own Life', which he wrote
just before his death.
Originally published in 1955, Eugene Rotwein's collection of David
Hume's economic writings has become the criterion by which to
measure studies of Hume's thinking on economics. Rotwein, in his
extended introduction, masterfully examines the connection between
Hume's various writings economic, political, philosophical, and
historical. This edition is graced with a new introduction by
Margaret Schabas. Hume belonged to the same generation as that of
his friend and fellow countryman Adam Smith. Hume's writings on
economics, however, unlike those of Smith's, comprise a relatively
small portion of his published works. They consist of nine of
twelve essays in his Political Discourses, first published in 1752,
and a rather small number of passages in Hume's private letters to
such correspondents as Smith, Montesquieu, Turgot, and Oswald. They
were all brought together here for the first time in a single
volume. These writings sought to clarify the various problems of
Hume's society and suggest remedies for their solution. They are
still relevant for the modern reader. Included are "Of Commerce,"
"Of Refinement in the Arts," "Of Money," "Of Interest," "Of the
Balance of Trade," "Of the Jealousy of Trade," "Of Taxes," "Of
Public Credit," and "Of the Populousness of Ancient Nations," as
well as the relevant extracts from Hume's letters. Long
unavailable, this edition will be welcomed by students of
economics, philosophy, and the Scottish Enlightenment.
Hume's Enquiry: Expanded and Explained includes the entire
classical text of David Hume's An Enquiry Concerning Human
Understanding in bold font, a running commentary blended seamlessly
into the text in regular font, and analytic summaries of each
section. The commentary is like a professor on hand to guide the
reader through every line of the daunting prose and every move in
the intricate argumentation. The unique design helps students learn
how to read and engage with one of modern philosophy's most
important and exciting classics. Key Features: Includes the entire
original text. Provides helpful summaries of each paragraph. Offers
commentary on every line of text. Removes the gap between
commentary and text.
Originally published in 1955, Eugene Rotwein's collection of
David Hume's economic writings has become the criterion by which to
measure studies of Hume's thinking on economics. Rotwein, in his
extended introduction, masterfully examines the connection between
Hume's various writings--economic, political, philosophical, and
historical. This edition is graced with a new introduction by
Margaret Schabas.
Hume belonged to the same generation as that of his friend and
fellow countryman Adam Smith. Hume's writings on economics,
however, unlike those of Smith's, comprise a relatively small
portion of his published works. They consist of nine of twelve
essays in his Political Discourses, first published in 1752, and a
rather small number of passages in Hume's private letters to such
correspondents as Smith, Montesquieu, Turgot, and Oswald. They were
all brought together here for the first time in a single
volume.
These writings sought to clarify the various problems of Hume's
society and suggest remedies for their solution. They are still
relevant for the modern reader. Included are "Of Commerce," "Of
Refinement in the Arts," "Of Money," "Of Interest," "Of the Balance
of Trade," "Of the Jealousy of Trade," "Of Taxes," "Of Public
Credit," and "Of the Populousness of Ancient Nations," as well as
the relevant extracts from Hume's letters. Long unavailable, this
edition will be welcomed by students of economics, philosophy, and
the Scottish Enlightenment.
Hume's Enquiry: Expanded and Explained includes the entire
classical text of David Hume's An Enquiry Concerning Human
Understanding in bold font, a running commentary blended seamlessly
into the text in regular font, and analytic summaries of each
section. The commentary is like a professor on hand to guide the
reader through every line of the daunting prose and every move in
the intricate argumentation. The unique design helps students learn
how to read and engage with one of modern philosophy's most
important and exciting classics. Key Features: Includes the entire
original text. Provides helpful summaries of each paragraph. Offers
commentary on every line of text. Removes the gap between
commentary and text.
This edition contains the thirty-nine essays included in "Essays,
Moral, and Literary, " that made up Volume I of the 1777 posthumous
"Essays and Treatises on Several Subjects." It also includes ten
essays that were withdrawn or left unpublished by Hume for various
reasons. The two most important were deemed too controversial for
the religious climate of his time.This revised edition reflects
changes based on further comparisons with eighteenth-century texts
and an extensive reworking of the index.Eugene F. Miller was
Professor of Political Science at the University of Georgia from
1967 until his retirement in 2003.
This book examines the relationship between art and tourism through
the study of the material culture of tourism: tourist art and
souvenirs. It thoroughly examines how to categorise the material
culture of tourism within the discourses of contemporary art and
cultural anthropology, and demonstrates that tourist art is a
unique expression of place and genuine artistic style. The first
investigation to consider the activity of souvenirs from both
indigenous and settler tourist sites, it brings a unique addition
to the existing, dated, research in the area. Working initially
from Graburn's definition of tourist art, as the art of one culture
made specifically for the consumption of another, Tourism Art and
Souvenirs sheds light on important aspects of the souvenir that
have not been widely discussed. The most recent research is used to
consider how the souvenir is designed and consumed, consumer
expectations and influence on the character of the souvenir, how
the souvenir maker is consumed by the tradition of heritage and how
products become successful as souvenirs. The title also
investigates the language involved in the representation of place
and the recording of experience through the souvenir, developing a
method that expresses the descriptive data of individual souvenir
artefacts graphically so the patterns of language may be analysed.
Enhancing the understanding of material culture in tourism and
therefore adding to future tourism development this volume will be
of interest to upper level students, researchers and academics in
tourism, culture, heritage and sustainability.
Hume's brilliant and dispassionate essay Of Miracles has been added
in this expanded edition of his Dialogues Concerning Natural
Religion , which also includes Of the Immortality of the Soul,Of
Suicide, and Richard Popkin's illuminating Introduction.
The first thematically arranged collection of Hume's political
writings, this new work brings together substantive selections from
A Treatise on Human Nature , An Enquiry Concerning the Principles
of Morals , and Essays: Moral, Political and Literary , with an
interpretive introduction placing Hume in the context of
contemporary debates between liberalism and its critics and between
contextual and universal approaches.
Hume's comprehensive effort to form an observationally grounded
study of human nature employs John Locke's empiric principles to
construct a theory of knowledge from which to evaluate metaphysical
ideas. A key to modern studies of 18th-century Western philosophy,
the "Treatise" considers numerous classic philosophical issues,
including causation, existence, freedom and necessity, and
morality.
This impressive book is richly illustrated with 91 gorgeous macro
photographs - of flowers, and also some of their pollinators - by
John Rodrigues, an artist who has taken that time to truly see. We
invite you to sit back, maybe with a cup of hot Chamomile tea, and
indulge in these images - taking the time to truly see these
flowers, and to appreciate their inherent majesty. John Rodrigues
takes an old lens and new camera and gives us a new look at an old
photographic subject.
David Hume is commonly known as one of the greatest philosophers to
write in English. He was also one of the foremost political and
economic theorists and one of the finest historians of the
eighteenth century. His political essays reflect the entire range
of his intellectual engagement with politics - as political
philosophy, political observation and political history - and
function as an extension of and supplement to works such as his
Treatise of Human Nature and his History of England. The
twenty-seven most important essays are presented in this fully
annotated edition, together with excerpts from the History of
England which illuminate their context. This major addition to the
Cambridge Texts in the History of Political Thought will be of
interest to students and scholars of politics, philosophy and the
history of ideas.
Hume's Natural History of Religion may, with his Dialogues
Concerning Natural Religion be held to mark the beginning of the
Philosophy of Religion. Not so clearly a text illustrating modern
technology-indeed in its own day it was regarded as skeptical and
subversive-the Natural History is remarkably illustrative of the
development of religious thought and is a brilliant philosophical
contribution to the interpretation of religion. The editor of this
reprint discusses Hume's purpose in writing the Natural History and
assesses its influence at the present day.
A genuine understanding of Hume's extraordinarily rich, important,
and influential moral philosophy requires familiarity with all of
his writings on vice and virtue, the passions, the will, and even
judgments of beauty--and that means familiarity not only with large
portions of A Treatise of Human Nature, but also with An Enquiry
Concerning the Principles of Morals and many of his essays as well.
This volume is the one truly comprehensive collection of Hume's
work on all of these topics. Geoffrey Sayre-McCord, a leading moral
philosopher and Hume scholar, has done a meticulous job of editing
the texts and has provided an extensive Introduction that is at
once accessible, accurate, and philosophically engaging, revealing
the deep structure of Hume's moral philosophy. --Don Garrett, New
York University
'Commit it then to the flames: for it can contain nothing but
sophistry and illusion.' Thus ends David Hume's Enquiry concerning
Human Understanding, the definitive statement of the greatest
philosopher in the English language. His arguments in support of
reasoning from experience, and against the 'sophistry and illusion'
of religiously inspired philosophical fantasies, caused controversy
in the eighteenth century and are strikingly relevant today, when
faith and science continue to clash. The Enquiry considers the
origin and processes of human thought, reaching the stark
conclusion that we can have no ultimate understanding of the
physical world, or indeed our own minds. In either sphere we must
depend on instinctive learning from experience, recognizing our
animal nature and the limits of reason. Hume's calm and open-minded
scepticism thus aims to provide a new basis for science, liberating
us from the 'superstition' of false metaphysics and religion. His
Enquiry remains one of the best introductions to the study of
philosophy, and this edition places it in its historical and
philosophical context. ABOUT THE SERIES: For over 100 years Oxford
World's Classics has made available the widest range of literature
from around the globe. Each affordable volume reflects Oxford's
commitment to scholarship, providing the most accurate text plus a
wealth of other valuable features, including expert introductions
by leading authorities, helpful notes to clarify the text,
up-to-date bibliographies for further study, and much more.
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On Suicide (Paperback)
David Hume
2
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R243
R196
Discovery Miles 1 960
Save R47 (19%)
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Ships in 9 - 15 working days
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Throughout history, some books have changed the world. They have
transformed the way we see ourselves and each other. They have
inspired debate, dissent, war and revolution. They have
enlightened, outraged, provoked and comforted. They have enriched
lives and destroyed them. Now Penguin brings you the works of the
great thinkers, pioneers, radicals and visionaries whose ideas
shook civilization and helped make us who we are. One of the most
important thinkers ever to write in English, the Empiricist David
Hume liberated philosophy from the superstitious constraints of
religion; here, he argues that all are free to choose between life
and death, considers the nature of personal taste and succinctly
criticises common philosophies of the time.
This scarce antiquarian book is included in our special Legacy
Reprint Series. In the interest of creating a more extensive
selection of rare historical book reprints, we have chosen to
reproduce this title even though it may possibly have occasional
imperfections such as missing and blurred pages, missing text, poor
pictures, markings, dark backgrounds and other reproduction issues
beyond our control. Because this work is culturally important, we
have made it available as a part of our commitment to protecting,
preserving and promoting the world's literature.
This 1748 treatise by David Hume offers an accessible account of
his unprecedented and challenging notions about the limitations of
the human mind. It expounds the most influential theory of
causality in modern times -- one that prompted Kant to create an
entirely new school of thought. Highly controversial in the 18th
century, this work remains provocative in its discussions of the
appeal of skepticism, the logical coexistence of free will and
determinism, and the deficiencies of religious doctrine.
Complements is a gem, an intimate book to be savoured on first
readings and held near as a resource on what is meaningful. It
contains 110 luscious photos of small objects juxtaposed in ways
that evoke emotions, thoughts, questions, and remembrance of
beauty. The photographs tell stories, make wry jokes, and allude to
the larger realities of the esoteric. As complements, the objects
are more than the sum of their parts. A sentence or two of text
accompanies each photograph, creating storylines that draw the
viewer into the world of the objects as strongly as if the objects
were human, except their not being human allows the viewer a purer
sense of the message of their story. David Hume Kennerly, the
Pulitzer Prize-winning photographer, says in the foreword, "The
narrative and pictures reunite twins separated at birth." The
photographs pull the viewer in with their emotional content, then
ask the viewer to step back for another look - to both feel and
think, to understand truths beyond words. Complements is a gem, an
intimate book to be savoured on first readings and held near as a
resource on what is meaningful. It contains 110 luscious photos of
small objects juxtaposed in ways that evoke emotions, thoughts,
questions, and remembrance of beauty. The photographs tell stories,
make wry jokes, and allude to the larger realities of the esoteric.
As complements, the objects are more than the sum of their parts. A
sentence or two of text accompanies each photograph, creating
storylines that draw the viewer into the world of the objects as
strongly as if the objects were human, except their not being human
allows the viewer a purer sense of the message of their story.
David Hume Kennerly, the Pulitzer Prize-winning photographer, says
in the foreword, "The narrative and pictures reunite twins
separated at birth." The photographs pull the viewer in with their
emotional content, then ask the viewer to step back for another
look-to both feel and think, to understand truths beyond words.
More book information can be found at: www.complementsthebook.com
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